For Abidjan-based artist Saint-Étienne Yéanzi, the continent’s social and political actuality has sparked a artistic evolution for modern African artists, he says, giving them confidence to work and keep in Africa.
The modern artwork market in Ivory Coast and throughout sub-Saharan Africa has captured collectors’ imaginations on a world scale, translating into income for a lot of artists like Saint-Etienne. He says the typical worth for particular person items of his work elevated from roughly round $8,000 to $60,000 in his seven years as an artist.
“As we speak, the work we see right here (within the gallery) are between $47,000 and $180,000,” she provides.
In Could, Aboudia’s “Untitled (2015)” offered for $232,000, a whopping 835% over presale valuation estimates and shattering his private file set final 12 months.

Work by Ivorian artist Aboudia have been critically acclaimed at worldwide auctions everywhere in the world. Credit score: Sia Kambou/AFP/Getty Photos
Different established African artists from Ethiopia, Zimbabwe and Nigeria just lately grabbed worldwide headlines on the bi-annual Sotheby’s Trendy and Up to date African artwork public sale in London. Famend Nigerian artist Ben Enwonwu’s “Atlas” offered for over half 1,000,000 {dollars} at a Sotheby’s public sale in March, setting a brand new world file for an African sculpture.
Report-breaking artwork
“2020 was our most profitable 12 months but”, says Hannah O’Leary, Sotheby’s head of contemporary and modern African artwork. Regardless of being digital as a result of pandemic, final October’s occasion offered over $4.Four million of artwork.
In March, Sotheby’s once more exceeded presale estimates by 40%, promoting $3.7 million value of artwork from 34 nations. O’Leary says that for the reason that African artwork public sale’s inception in 2017, the corporate has damaged 90 world data.
“Each time we break one in every of these data, we’re setting new requirements and elevating the fame of our artists,” she provides.
How an Ivorian artwork revival is bolstering costs
In the meantime within the native galleries of Abidjan, Fakhoury believes that the modern African artwork market will proceed to be principally pushed by worldwide gross sales, but in addition by the desire of a younger technology of collectors and artists who see the potential.
“This hyper-varied younger technology, the diaspora who studied overseas, who noticed that there’s an artwork market — they understand there is a scene, a narrative, they usually start to take an curiosity in it,” she says.
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